A language of light: The photography of Alessandra Scoppetta

Could you begin by introducing yourself and sharing a little about your hobbies, the arts or any other creative activities you pursue besides photography?
My name is Alessandra. I am a photographer and run my own photography studio in Sardinia. I have always been deeply passionate about art in all its forms. I believe that each of us seeks a personal way to communicate with the world and leave a mark. For me, photography is that language — one that combines sensitivity, technique and introspection — and it’s my most authentic way to express myself.

How did your interest in photography begin, and what was your first camera?
My passion began thanks to my grandfather, so it has been part of me since childhood. He was always an observer with a camera or a film camera in his hands, capturing moments quietly. My first camera was a Pentax film camera, and I used to play with double exposures — not always successfully, but I learned so much from them.

Do you usually carry a camera with you so that you are always ready when a photo opportunity arises?
Yes, I always carry my camera with me. For me, it feels like we are one and the same — an extension of my eyes and hands. It’s the way I perceive and connect with the world around me.

Do you see the camera as a tool to record your daily life and the places you visit?
Absolutely. I believe every photograph I take is a small testimony of how I see and experience life. Each image is a fragment of memory, a trace of my presence in a specific moment or place.

Can you give some examples of the things that usually catch your attention and prompt you to pick up your camera and take a photograph?
I’m always drawn to details — the things that most people overlook or take for granted but that, for me, are essential. A reflection, a gesture, a sudden light, a certain color — it’s often the smallest things that tell the most powerful stories.

When it comes to portraiture, do you prefer natural light or studio light, or do you believe that each has its own role and is irreplaceable?
I’m deeply fascinated by natural light — how it moves, how it changes reality before our eyes, revealing or hiding what we see. Artificial light, on the other hand, feels like a safe harbor — something you can shape and control. For me, one does not exclude the other; they complete and enrich each other.

What is your relationship with self-portraiture, and do you consider it the ultimate expression of portrait photography, where photographer and model become one?
Self-portraiture, to me, is love. I’ve always found it difficult to show myself and to truly see myself. Photography — and especially self-portraiture — allows me to discover and recognize myself every day, to accept who I am and not be afraid to reveal it.

What cameras and lenses are you currently using?
I currently use an Olympus OM-D E-M10 Mark IV with a 14–42mm and a 40–150mm lens. I haven’t yet invested in expensive gear, but I’m truly happy with what I have. I originally bought it as a travel camera — light yet high-quality, and it has genuinely impressed me.

I’m not obsessed with the latest models or top-of-the-line equipment. I always try to make the most of what I have. I believe that a great photograph can be made with any camera, as long as there is vision and intention behind it.

What are the advantages and disadvantages of the Olympus / OM System M43 cameras for the type of photography you do?
So far, I’ve only found advantages — weight, quality and price. Comfort is very important to me, and this camera is both wonderful and beautiful in every aspect.

When travelling, how significant is the Micro Four Thirds system in helping you keep your camera bag lightweight without sacrificing image quality?
It’s very important. It allows me to travel light without sacrificing quality. I can carry my camera with me every day, everywhere — and that changes the way I photograph.

What software do you use for post-processing, and could you give us a brief description of your workflow?
I use Lightroom and Photoshop, although I always try to get as close as possible to the final result during the shooting phase. For me, post-processing is about enhancing what I already saw and felt when I took the picture.